Category archives: Feelings

unoriginal

Sometimes it feels like there’s no point to writing unless I have a competely original idea. This is an impossibly high bar to clear—there aren’t no original thoughts left, but they are exceedingly rare. Often I’ll discover while researching that the core of my idea showed up in three thinkpieces within the last two weeks alone, or more likely that Ursula Franklin already figured it all out the year I was born. This mainly means that I’m not immune to the zeitgeist and that no one is immune to Ursula Franklin, but in the moment it always feels like my words are derivative and pointless.

I don’t really have a good answer for why I prize originality above all else, above craft and emotion and consistency, other than ego. Some small part of me still believes in my weakest moments that words are enough to change things, and I want to be the one to find those words.

Of course, that’s not how change actually happens, even with truly revolutionary ideas (and I certainly don’t pretend to have any of those). It’s not like there can be one perfectly constructed essay that will stir hearts and minds and everyone will applaud and think to themselves how cool and smart and pretty the author is before they sally forth to implement her policies. Ideas take careful stewardship and tireless repetition over decades or even centuries to catch on and spur people into action. If I want the things I believe in to flourish, then being one refrain in the chorus matters even if I didn’t compose the song.

Dominant western forms of storytelling don’t do a great job of portraying that kind of collective sensemaking. Most of the stories we’re told from a young age feature one person or a small group of people who made the difference, one act of bravery we’re meant to emulate. This narrative bias is a barrier to progressive social change: it’s easy to become demoralized when individual effort doesn’t have the seismic impact it does in our stories, much harder to keep faith in the immense and diffuse work required to organize and sustain a movement in the real world.

My preoccupation with originality is part of that same problem. Ultimately, I suspect I care about being original because I want to stand out from the crowd, which is the opposite of the politics I try to practice. I believe that individual snowflakes can add up to an avalanche, but that means I have to be okay with being one speck of crystallized ice amongst billions. At least it’ll still be pretty.

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right to forget

Like many fundamental assumptions about The Way The Internet Works, the idea that the things you put online stay online feels both arbitrary and inviolable. Once upon a time, the lovable nerds who built the first bulletin board systems decided that anything posted to it would persist on disk until the disk hit capacity, and that (as they say) was that.

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so this is the new year

I know that human brains gobble up patterns and ritual like there’s no tomorrow, and while there is technically no difference between the December 31st of one year and the January 1st of the next it nevertheless feels like the turn of the year is when I am granted a brief reprieve from physical reality in which I get to believe that I’m the kind of person who can effect change just by wanting it a lot.

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the thing with feathers

I know that practically every generation has thought that the end times were nigh, but it’s hard for me not to think that maybe this time we could be right. After all, we have Science now, more information than our brains were ever meant to absorb, and if I think too much about the bees and the coral reefs and the antibiotics and the cellphones in our hands and in our oceans and the borders and walls and cages and guns and bombs —

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places and homes

Toronto was my first view of Canada, a grey slushy view in the dead of March that called into question all of my parents’ decision-making capabilities in choosing to move here. After the idyll of a tiny German university town (complete with castle ruins!), nothing about this place that was too big and too loud and too cold made sense. It had giant box stores in the middle of the city and a downtown that wasn’t entirely dedicated to pedestrians. It was basically barbaric.

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media habits of the exhausted

I like thinking about media consumption habits. The often unconscious choices we make about what we allow space in our brain say a lot about what that brain looks like in that moment, and if you get good enough at noticing those patterns, they can be canaries in the coal mine for your mood. I track my reading habits pretty closely on Goodreads, so it’s easy for me to notice when I’m on a streak or going through a dry-spell. For example: when I’m anxious, I read detective stories where there is a logical reason for events and the bad guys get caught in the end. When I’m depressed, I stop reading new fiction because I don’t want to be potentially disappointed in a new world I’ve put emotional investment into. When I’m angry, I read non-fiction in the hopes that if I just understand our world a little better I can get a little better at helping solve its problems. And when I’m feeling optimistic, I buy new dead-tree books. I’m normally an e-book reader and I only get physical copies of books that resonate with me in some way, so if I’m buying a physical copy of a new book it’s because I feel like I have space in my life for the potential of something wonderful.

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